Section IV. The Commercial Lithographers in Philadelphia, 1828-1878

More than 500 artists, lithographers, printers, and publishers are known to have worked in the field of lithography in Philadelphia between 1828 and 1878. These individuals entered the trade through various channels: serving three- to four-year apprenticeships beginning at about fourteen to sixteen years of age; transferring from related print trades; arriving as émigrés trained abroad; and through family connections. Some worked as artists, lithographers, and/or printers, while others performed only one function. This exhibition attempts to represent all those involved in this revolutionary printing process, but a number of them proved significant for their artistry, longevity, or commercial viability. A few of these notable lithographers are highlighted in this section.

 

A comprehensive online Biographical Dictionary of Philadelphia Lithographers can be accessed at http://www.librarycompany.org/pos/posdictionary.htm

 

Commercial Lithographers in Philadelphia, 1828-1878

By 1850 there were eleven lithographic establishments in Philadelphia, almost double the number in 1840. Near the end of the decade, about thirty firms operated around 200 lithographic presses in the city. The trade increased to include about forty-five firms by 1871, with most clustered east of Broad Street near and along the 300 blocks of Chestnut and Walnut streets, not far from where Kennedy & Lucas operated. The industry employed nearly 300 men, women, and “youths” by the start of the 1870s when wages for master printers had increased to $25-30 from $8-10 a week in 1862.

 

Pennsylvania-born males formed the majority of the trade between 1828 and 1878 with at least twenty-five percent of the identified Philadelphia lithographers of German heritage. Most lived in North Philadelphia, particularly the Northern Liberties, with pockets of lithographers residing in Center City and South Philadelphia. According to the censuses for 1850 and 1860, most local lithographers (about forty percent) were in their twenties. Later, in the 1870s, the predominant age shifted to include more men between thirty and fifty years of age and fewer under twenty. The increasing average age of those in the profession reflects the decreasing number of apprentices by the later 19th century. Click Map below for larger view (PDF).

 

 

Click on the thumbnails below to browse the items in this section of the exhibition.

 

Chestnut St. West from Fourth (Philadelphia: M. P. Simons, ca. 1868). Albumen print on stereograph mount. Girard Bank (Philadelphia: M. P. Simons, ca. 1870). Albumen print on stereograph mount. [Chestnut Street, East of Fourth Street (Philadelphia: James Cremer], photographed ca. 1867, published ca. 1875). Albumen print on stereograph mount. George Shubert Diary, 1866. Courtesy of Temple University Libraries, Rare Books & Manuscripts Collection.
A. Newman, John Frederick Finkeldey, ca. 1867. Albumen on cardboard mount. J. F. Finkeldey , Lithographer, 218 Walnut St. Philadelphia (Philadelphia, ca. 1863). Lithograph trade card. Courtesy of Jeremy Finkeldey. Letter from John Frederick Finkeldey to Werner Finkeldey, September 10, 1865. Courtesy of Jeremy Finkeldey. Albert Newsam, Lithography. P. S. Duval 7 Bank Alley, Philadelphia (Philadelphia: P. S. Duval, ca. 1840). Crayon lithograph, hand-colored. Courtesy of the Historical Society of Pennsylvania.
Christian Schussele, Chromo Lithography (Philadelphia: P. S. Duval, 1850). Chromolithograph. Gift of Helen Beitler. Robert F. Reynolds, H. B. McCalla, Successor to the Late Andrew McCalla, No. 252 Market St. First Hat & Cap Store Below 8th St. South Side, Philadelphia. (Philadelphia: Printed in colors by Wagner & McGuigan, ca. 1852). Chromolithograph. David C. Scattergood, “Wagner & McGuigan Lithographic Establishment.” Wood engraving in The Philadelphia Merchants’ & Manufacturers’ Business Directory for 1856-57 (Philadelphia: Prepared & Published by Griswold & Co., [1856]). Chestnut Street, Sept. 1846 (Philadelphia, 1846). Wood block in colored ink.
“The Late Thomas Sinclair,” in Joseph Jackson, Some Notes Toward a History of Lithography in Philadelphia (Philadelphia, 1900).  Courtesy of the Historical Society of Pennsylvania. Alphonse Bigot, T. Sinclair & Co. Lithographers Philadelphia (Philadelphia:  T. Sinclair’s lith., ca. 1858) Chromolithograph. Courtesy of the Historical Society of Pennsylvania. W. H. Rease, Lithographic Artist, No. 17 South Fifth St., Philadelphia. (Philadelphia: W. H. Rease, ca. 1850).   Courtesy of Archives Center, National Museum of American History, Smithsonian Institution.  “The Late Theo. Leonhardt,” in Joseph Jackson, Some Notes Toward a History of Lithography in Philadelphia (Philadelphia, 1900).  Courtesy of the Historical Society of Pennsylvania.
Theo. Leonhardt & Son. Commercial Lithography. 324 Chestnut St. Philadelphia (Philadelphia: Theo. Leonhardt & Son, May 1, 1876). Transfer lithograph. Courtesy of the Historical Society of Pennsylvania. “The Late Eugene Ketterlinus,” in Joseph Jackson, Some Notes Toward a History of Lithography in Philadelphia (Philadelphia, 1900).  Courtesy of the Historical Society of Pennsylvania. E. Ketterlinus & Co. Label Printers, No. 40 North Fourth St., Philadelphia (Philadelphia: E. Ketterlinus & Co., ca. 1855). Lithograph printed on green cardstock, embossed, gilded, and tinted with three stones. Courtesy of the Historical Society of Pennsylvania.  “The Late Jacob Ha[ehnlen],” in Joseph Jackson, Some Notes Toward a History of Lithography in Philadelphia (Philadelphia, 1900).  Courtesy of the Historical Society of Pennsylvania.
“Jacob Haehnlen’s Steam Power Lithographic & Letterpress Printing Rooms,” in Edwin Freedley, Philadelphia and Its Manufactures: A Hand-Book Exhibiting the Development, Variety, and Statistics of the Manufacturing Industry of Philadelphia in 1867 (Philadelphia: Edward Young & Co., 1867). “The Late Geo. S. Harris,” in Joseph Jackson, Some Notes Toward a History of Lithography in Philadelphia (Philadelphia, 1900).  Courtesy of the Historical Society of Pennsylvania. Geo. S. Harris & Sons, 718, 720, 722, & 724 Arch St., Philadelphia. (Philadelphia: Geo. S. Harris & Sons, ca. 1880). Chromolithograph trade cards. Gift of Helen Beitler.

Not only white, German-American, Christian men worked in the Philadelphia lithographic trade. Women, Jewish Americans, and African Americans also made a living in the field. A few notorious persons did as well.

 

“Wanted Immediately,” Public Ledger, October 4, 1845. The Offerings of the Carriers of The Press to Their Patrons (Philadelphia:  Bowen & Co., 1862). Crayon lithograph. Gift of John A. McAllister. Grand United Order Odd Fellows America (Philadelphia: Hunter, 1843). Chromolithograph, hand-colored. Courtesy of the Historical Society of Pennsylvania. Max Rosenthal, Rudolph Stein (Philadelphia: Stein & Jones?, 1865).
Max Rosenthal, Alfred Jones (Philadelphia: Stein & Jones?, 1865). Max Rosenthal, L. N. Rosenthal. Lithographic Office, Removed to N.W. Cor. of Fifth & Chestnut Sts. Philadelphia. (Philadelphia: Lith. & Printed in Colors at the Establishment [of L. N. Rosenthal], October 1856). Gift of Charles A. Poulson. “Stabbing in a Hose House,” Public Ledger, November 5, 1867. “Distressing Suicide,” Philadelphia Inquirer, January 30, 1873. s Courtesy of the Historical Society of Pennsylvania.

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