Juneteenth Seminar: Unfreedom: The Limits of the Fourteenth Amendment
Unfreedom: The Limits of the Fourteenth Amendment After Reconstruction considered race in the twentieth century as a specific form of ideological technology. Focusing on the events and voices between Reconstruction and the Civil Rights Movement, Dr. Walter Greason led a discussion about the economic, political, social, and cultural foundations of white supremacy as products of an emerging industrial order. From the regimentation of the plantation in the early nineteenth century through the rigidity of commodity and financial markets at the start of the Cold War, this talk illuminated the networks that led to entrenched inequality for more than a century.
Dr. Walter D. Greason is an Associate Professor and Chair of the Department of Educational Counseling and Leadership at Monmouth University in West Long Branch, New Jersey. Dr. Greason’s research focuses on the comparative, economic analysis of slavery, industrialization, and suburbanization. With a variety of co-editors, Dr. Greason has published Planning Future Cities(2017) – an innovative look at architecture, urbanism, and municipal design; The American Economy (2016) – a provocative examination of race, property, and wealth in the United States since 1750; and the Afrofuturist design textbook, Cities Imagined. His scholarly monograph, Suburban Erasure, won the Best Work of Non-Fiction award from the New Jersey Studies Academic Alliance in 2014. He also won grants from the Mellon Foundation (2011) and the National Endowment for the Humanities (2016). He is also the creator of the #WakandaSyllabus. The subsequent series of essays can be found on the award-winning website, Black Perspectives.
This event originally aired at 5:00 p.m., Thursday, June 18, 2020.
Talking in the Library will serve as an audio platform for researchers to share the incredible work they’re pursuing using the rich collections at the Library Company of Philadelphia.
Talking in the Library is hosted by Will Fenton, the Director of Scholarly Innovation, and produced by Ann McShane, the Project Digital Asset Librarian at Emory University.
Logo design by Nicole Graham. Theme music by Krestovsky (“Terrible Art”).