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Current and Upcoming Events

The Visual Culture Program (VCP) is an integral part of the Library Company’s public outreach. Initiatives include the exhibitions Common Touch: The Art of the Senses in the History of the Blind, Ephemera Online, and Philadelphia on Stone: the First Fifty Years of Commercial Lithography in Philadelphia, 1828-1878.

VCP has hosted scholarly symposiums exploring early American advertising and the role of ephemera in our popular culture; an artist-in-residence intern creatively inspired by our juvenilia collections; and presentations by historians, curators, and artists on topics that include the visual politics of the woman suffrage movement, the history of scrapbooking, and the lithographic printing process.

Below are our upcoming Visual Culture Program events. For a full list of upcoming Library Company Events, please visit our events calendar.

October

15oct1:30 pm3:00 pmFireside Chat: Roundtable: Disability, Literature, Art, and Civil Rights

Event Details

Fireside Chat: Roundtable: Disability, Literature, Art, and Civil

Event Details

Fireside Chat: Roundtable: Disability, Literature, Art, and Civil Rights

with Sari Altschuler and Vanessa Warne

REGISTER

Thursday, October 15th, 2026 | 1:30 PM EST

Virtual Event | Free

Join us as we talk to Sari Altschuler, author of Before Disability: A History of American Citizenship, and Vanessa Warne, author of By Touch Alone: Blindness and Reading in Nineteenth-Century Culture, as they discuss their cultural histories addressing disability, literature, art, and civil rights.

Before Disability: A History of American Citizenship (Philadelphia: University of Pennsylvania Press, 2026)
In the wake of the American Revolution, many of the differences we now call disabilities could be accommodated into citizenship—and for some even exemplified its promises. By the antebellum period, however, disability was becoming a powerful, racialized tool of civic exclusion and, by the century’s end, a target for eugenic elimination. Before Disability: A History of American Citizenship tells the story of how this dramatic transformation occurred.

Sari Altschuler is associate professor of English and founding director of the Health, Humanities, and Society Program at Northeastern University. She is the author of Before Disability: A History of American Citizenship (Penn Press, 2026) and The Medical Imagination: Literature and Health in the Early United States (Penn Press, 2018), as well as coeditor with Jonathan Metzl and Priscilla Wald of Keywords for Health Humanities (NYU Press, 2023). With David Weimer she directs Touch This Page! Making Sense of the Ways We Read, a multi-local and online exhibition about the multisensory experiences of reading, which won the Library Company’s Innovation Award in 2019.

Available for purchase at Penn Press.

By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (Ann Arbor: University of Michigan Press, 2025) puts the history of disability into conversation with the history of books. Guided by the experiences of the first generation of blind people to learn to read by touch, this book explores the ways in which raised-print books changed not only individual lives but also nineteenth-century culture.

Vanessa Warne is a Professor in the Department of English, Theatre, Film & Media at the University of Manitoba (Treaty One Territory). Her current research explores the intersection of the history of craft and the history of disability. She has published widely on nineteenth-century literature and disability, including serving as the co-editor of a special issue of Disability Studies Quarterly on blindness studies. She has co-hosted two international conferences on critical blindness studies, is a co-creator of the Crafting Communities Project, and a co-host of the Victorian Samplings podcast.

Available for purchase at University of Michigan Press.

 

November

05nov5:30 pm7:00 pmMetamorphic Print and the Untouchable Arts in Nineteenth-Century AmericaExhibition Opening | Free

Event Details

Exhibition Opening: Serious Fun: The Robert Staples Metamorphic

Event Details

Exhibition Opening: Serious Fun: The Robert Staples Metamorphic Collection of Movable and Moving Art before 1920

Reception followed by lecture by Dr. Juliet Sperling, University of Washington,
“Metamorphic Print and the Untouchable Arts in Nineteenth-Century America”

REGISTER

Free | In Person
Thursday, November 5th, 2026 | 5:30 pm – 7:00 pm
1314 Locust St, Philadelphia, 19107

Join us in celebrating the opening of Serious Fun an exhibition curated by Curator of Graphic Arts and Director, Visual Culture Program Erika Piola with “Metamorphic Print and the Untouchable Arts in Nineteenth-Century America,” a lecture by Dr. Juliet Sperling.

Metamorphic Print and the Untouchable Arts in Nineteenth-Century America
Nineteenth-century audiences largely kept a polite distance from high-status works of painting and sculpture. And yet these ostensibly untouchable arts were often made and understood with tactile sensibilities in mind. This talk focuses on the vital role of prints as a medium in shaping and disseminating these pervasive, culturally trained ideas about touch’s role in perception. It highlights a selection of metamorphic prints, or paper constructions with folded, layered, and expandable features that proliferated in U.S. print culture between roughly 1780 and 1910. Closely examining how these objects guided users from applied interaction toward more abstract concepts of tactility reveals the print medium’s power both to model sophisticated visualities and transport them across media, fundamentally shaping encounters with artworks beyond reach.

Juliet Sperling is Assistant Professor of Art History and Kollar Endowed Chair in American Art in the School of Art + Art History + Design at the University of Washington. Her research and teaching focus on the art and material culture of North America from the colonial period through the twentieth century, with particular emphasis on print history and theory. She is the author of Tactile Sensibilities: Seeing Through Print in American Art, forthcoming from the University of Chicago Press in Spring 2027.

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